Navigating this blog

Due to Blogger format, first seen is last entered, it is necessary to scroll down to the first entry or find it on the archive list

Sunday, October 2, 2011

BNBWriting lesson


Link to website



Teacher's Guide:
Rules and Things for a Funner Life
self-reflecting on an experience that taught you a life lesson
This lesson was built for WritingFix based on an idea shared by teacher Marilyn Hoffman at our AT&T-sponsored in-service class for teachers.
In 2010, this lesson was revised to include a Writer's Notebook assignment to improve students' pre-writing.


She intended "mentor text" to be used when teaching this on-line lesson is the chapter book Bud, Not Buddy by Christopher Paul Curtis. Before writing, students should listen to and discuss the writing style of this book's author, especially from chapter 2 of this book.


To our loyal WritingFix users: Please use this link if purchasing Bud, Not Buddy from Amazon.com, and help keep WritingFix free and on-line. We thank you!

  
T


  
A note for teachers: These lessons are posted so that you may borrow ideas from them, but our intention in providing this resource is not to give teachers a word-for-word script to follow. Please, use this lesson's big ideas but adapt everything else. And adapt it recklessly; that's how you become an authentic writing teacher.
Teacher Instructions & Lesson Resources :
Pre-step…before sharing the published model: Begin a class discussion about rules - Who has them and why do they have them? Explore reasons behind rules/laws in government, at home, at school. Should we all create our own lists of personal life rules, like the main character in Bud, Not Buddy?



Step one (sharing the published model):
Read Chapter 2 in Bud, Not Buddy. Have the students pay special attention to the rules and to what prompted Bud to create them. Is his idea for each rule explained clearly? Listen to how word choice sets the mood and tone.

  
Step two (introducing student models of writing): In small groups, have your students read and respond to any or all of the student models that come with this lesson. The groups will certainly talk about the idea development, since that's the focus of this lesson, but you might also have your students talk about the word choice in the writing too.




WritingFix Safely Publishes Students from Around the World! In 2008, we first began accepting students samples from teachers anywhere who use this lesson. Hundreds of new published students now go up at our site annually!
We're currently looking for student samples for other grade levels for this lesson! Help us obtain some from your students, and we'll send you a free resource for your classroom! Visit this lesson's

student samples page
 http://writingfix.com/Chapter_Book_Prompts/BudNotBuddy4.htm
for details.
  
Step three (thinking and pre-writing):
The Interactive Button Game on the Student Instructions Page might get your students thinking about times when they learned lessons that could lead to a "rule for life," like Bud's rules.

Using the graphic organizer below, writers will brainstorm experiences from their pasts where they learned lesson, and that warranted personal rules to live by. Encourage students to write a single, descriptive sentence that has a story hiding behind it. For example, "While running through the desert with my cousin, I slammed my foot into a prickly cactus" is one sentence that obviously has a story behind it.
After all students have at least five sentences on their brainstorming sheet, partner them up to tell each other the stories behind their sentences. Tell students they need to decide which story would make the best piece of writing for this assignment, and they can base their decision on which story would bring out the best details and word choices.
Before students begin writing their stories, be sure they can answer this framed sentence: "A personal rule I have for life is ____, and I have an interesting story of how I learned that rule." Allow students who have trouble starting their rough drafts to use this sentence frame as their story's introduction.
The second lesson resource below is a drafting sheet with an embedded idea development checklist; after students have written their drafts, they can rank their own use of idea development using the checklist on the second page.
  • Brainstorming Sheet for this Writing Assignment


  • Share Original Graphic Organizers (for Pre-Writing)
    from Your Teaching Toolbox.
    We share graphic organizers with our peers, we find them in books, and we think we should also be able to find tried-and-true ones online at WritingFix. This year, if you create an original graphic organizer (or adapt one of ours) when you teach this page's lesson, and post it, we might just end up publishing it directly here at WritingFix, and we might just send you a free print resource from the NNWP for being generous.
    • Original graphic organizers for specific lessons, like this one, can be submitted as an attachment at this link. Look for the "Reply to this Box" beneath the post. To be able to post, you will need to be a member of our free Writing Lesson of the Month Network.
  
Step four (revising with specific trait language): To promote response and revision to rough draft writing, attach WritingFix's Revision and Response Post-Its to your students' drafts. Make sure the students rank their use of the trait-specific skills on the Post-Its, which means they'll only have one "1" and one "5." Have them commit to ideas for revision based on their Post-It rankings. For more ideas on WritingFix's Revision & Response Post-Its, click here.



  
Step five (editing for conventions): After students apply their revision ideas to their drafts and re-write neatly, require them to find an editor. If you've established a "Community of Editors" among your students, have each student exchange his/her paper with multiple peers. With yellow high-lighters in hand, each peer reads for and highlights suspected errors for just one item from the Editing Post-it. The "Community of Editors" idea is just one of dozens and dozens of inspiring ideas that is talked about in detail in the Northern Nevada Writing Project's Going Deep with 6 Trait Language Workbook for Teachers.

  
Step six (publishing for the portfolio): The goal of most lessons posted at WritingFix is that students end up with a piece of writing they like, and that their writing was taken through all steps of the writing process. After revising, invite your students to come back to this piece once more during an upcoming writer's workshop block. The writing started with this lesson might become even more polished for final placement in the portfolio, or the big ideas being written about here might transform into a completely different piece of writing. Most likely, your students will enjoy creating an illustration for this writing as they ready to place final drafts in their portfolios.
Interested in publishing student work on-line?
You might earn a free classroom resource from the NNWP! We invite teachers to teach this lesson completely, then share up to three of their students' best revised and edited samples at our ning's Publish Student Writers group. Fifty teachers a year who do this will receive a complimentary copy of one of the Northern Nevada Writing Project's Print Guides.

To submit student samples for this page's lesson, click here. You won't be able to post unless you are a verified member of this site's Writing Lesson of the Month ning.
  




Pasted from <http://writingfix.com/Chapter_Book_Prompts/BudNotBuddy3.htm>

 

Other resources


Books on tape
http://library.booksontape.com/bookdetail.cfm/YA140CD



Readers Theatre
http://library.booksontape.com/bookdetail.cfm/YA140CD



Teaching Books .net
Author interview http://www.teachingbooks.net/spec_athr.cgi?pid=782

Interactive Story Mapping

Source: ReadWriteThink.org
http://www.readwritethink.org/classroom-resources/lesson-plans/press-conference-buddy-303.html

BNB Scholastic

Link to site

 
 

The Big Ideas in Bud, Not Buddy

By Kechia Williams

  • PRINT

  •  


    Students read about a homeless African-American boy during the Great Depression.

     
     


     


     

Students will identify the theme in a short story and explore the various themes in Bud, Not Buddy by Christopher Paul Curtis.

OBJECTIVE

Students will:

  • Understand and appreciate a short story and novel.
  • Understand and identify the following literary terms: theme, character, setting, and plot.
  • Identify the various themes in Bud, Not Buddy by Christopher Paul Curtis.
  • Learn the importance of theme.

Correlating Standards:

1. Analyze literary texts to draw conclusions and make inferences.

2. Create responses to literary texts through a variety of methods such as written works, oral presentations, media productions, and the visual and performing arts.

3. Carry out independent reading for extended periods of time to derive pleasure.

MATERIALS

  • Bud, Not Buddy by Christopher Paul Curtis
  • "The Scribe" by Kristin Hunter or any short story with a strong theme
  • board markers
  • computer projector (optional)
  • paper and pencil
  • Theme graphic organizer (PDF) for each student
  • Rubric (PDF) for each student

SET UP AND PREPARE

  • Copy graphic organizer for each student
  • Make a PowerPoint of five steps or write information on board

DIRECTIONS

Part I: Introduction

  • Identifying the theme in a novel, story, or poem can be a challenging task for many students, because usually many ideas are interwoven together.
  • Introduce this lesson by telling your students they are going to be party planners. They will plan a "pretend" party of their choice and choose a theme. Brainstorm what types of possible parties they can plan such as a Hawaiian theme, 4th of July theme, Super Bowl theme, 90s theme, etc. Remind them to think about their invitation, food menu, costumes/clothing, props/decorations, and activities etc. This activity can be done independently or in groups.
  • Discuss their party theme and details of their party. This should be interesting.
  • Explain that themes are located everywhere (different types of music, movies) but especially in the material they read.
  • Then explain that a theme in reading material is basically like the theme in their parties with many details supporting a major big idea. Tell them identifying a theme can be difficult to detect at times and they must be detectives and use clues from the story.

Part II

  • Begin with a simple definition of theme. For example, theme is the story's main message or lesson about life that the writer wants to share.
  • Take your class on a trip down memory lane by asking them to brainstorm their favorite short story, movie, novel, or book and what do they think the author was trying to tell them?
  • Get your students thinking by sharing your personal favorite folk tale or fable, such as "Tortoise and Hare" or the "Golden Touch."
  • Tell students they will learn a 5-Step Plan to help them understand and detect theme. Write the following on the board or project using a Power Point presentation. Students will write:
    • Title
    • Big Ideas in the Text
    • Characters' Actions and Thoughts
    • Setting and Plot
    • Theme Statement
  • You will use the five steps as a guide to uncover the theme(s) in "The Scribe" by Kristin Hunter or short story of your choice.
  • Start by asking questions about the title of the short story. Tell them many times the title gives clues about the theme of the story. For example, I asked my students, "What is a scribe, what does he do, why might this be important?" "How can this help you identify the big ideas in the story?
  • Read the short story with students or have them read it independently. In my class, we re-read and reflected on the short story, "The Scribe" by Kristin Hunter. This story focuses on the importance of literacy. James, the main character, is thirteen years old, and he and his family live in an apartment above the Silver Dollar Check Cashing Service. This business thrives by charging its customers for services such as reading and filling out forms. Most of the people in James' community could not read nor write. James decides to help his community by sitting in front of the Silver Dollar Check Cashing Service and reading the various forms for the customers for free.
  • Next, ask students to brainstorm the big ideas in the short story independently. Write their responses on the board. Most students will respond racism, illiteracy, community service, etc.
  • Tell students they are now going to find out what the characters' actions and thoughts are toward those big ideas. Facilitate this activity by allowing students to work with a partner. Have students draw a simple double entry journal on a piece of notebook paper with the headings: Important Quotes from Characters and My Thoughts. Ask them come up with 2-3 quotes that relate to the big ideas they brainstormed and their personal thoughts.
  • Discuss their responses.
  • Ask students to change gears and think about the setting and plot (important events) in the short story and how those things affect the big ideas. Tell them to also think about how the conflicts are resolved.
  • Tell students it is now time to write a statement about those big ideas. Tell them that the theme should not be a single topic or word. This step can be very confusing for students. Tell them the big ideas they brainstormed are all topics, and it now time to make a point about those ideas. It is basically combining all of the information from the prior steps.
  • Share the following tips about theme statements:
    • Use complete sentences.
    • Think about what the author of the piece is trying to tell you about life.
    • Think about what the character learns.
    • How does it apply to people in general?
    • Example of theme statement from "The Scribe": People can make positive changes in their community and world.
  • Review the 5-Step Plan from the PowerPoint or information written on board

Part III

  • Students will brainstorm a list of big ideas for the novel, Bud, Not Buddy by Christopher Paul Curtis for homework.
  • Split students into groups of 3-4 students the following day
  • Have the 5-Step Plan from the PowerPoint written on the board or projected on the screen. Review the steps with your student.
  • Explain to your students that they will be using the five steps to help them uncover the various themes in Bud, Not Buddy.
  • Give each group a theme graphic organizer and rubric, explain how to use it.
  • They will create a PowerPoint or use Movie Maker to make a presentation centered on one of the themes in Bud, Not Buddy. The presentation must have a title slide, significance of title of book, at least three quotations and explanations from various characters, 3-5 events from the plot to support big idea, the setting and how it affects the big idea, and they must include appropriate graphics and music. Graphics and music are to be done after all the research has been done and documented.
  • Explain how students will use a graphic organizer to plan and organize their information.
  • Encourage students to assign each group member a particular job, especially if your students are not used to working in cooperative groups. For example, one person can research the Great Depression which is a part of the setting, and one person can be the theme statement writer, gathering all of the information from the other members.
  • Groups of students will now compare and discuss their big ideas from their homework assignment and discuss their plan of strategy for completing the assignment.
  • Have a brief, class discussion on the groups' discussion.
  • Record their responses on the board — they will most likely respond family, friendship, hard work, love, hope and survival. Remind them those are not the actual themes but big ideas/topics.
  • Write the previous topics on small pieces of paper, fold, place in box and have each group choose a big idea/topic. Each group will be responsible for a big idea topic.
  • Take one of the themes from the novel and model the process for your students. Here are some questions to help students get started:
    • Why is family a possible big idea in Bud, Not Buddy?
    • How does the title of the novel relate to family? Tell students to think about the various families in the novel — Amos family, Lefty Lewis' family, Herman Calloway's Band.
    • How does the setting affect the different families in the novel? Students should research the Great Depression, Flint Michigan in the 1930s, Ride the Rails.
    • Explore the various characters and their thoughts and actions toward family: Bud, Bud's mother, Herman Calloway, Lefty Lewis, and Miss Thomas
    • How does the plot affect the big idea, family — Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself, and Herman Calloway and Bud's conflict.
  • Students will have to research various websites in order to complete the above. Here are some examples:
  • Give students ample time to complete assignment.
  • Students will present their presentations to the class.
  • Encourage students to ask questions and make appropriate statements of the group presenting.

SUPPORTING ALL LEARNERS

Various learning styles are addressed; visual, spatial, and kinesthetic.

LESSON EXTENSION

  • Students choose and read poetry of their choice and identify the theme(s).
  • Students select a favorite appropriate song and write about the theme.
  • Students practice creative writing by writing a short story with a theme(s).

ASSESS STUDENTS

  • Question students and listen to their responses.
  • Listen to their verbal interactions with their peers in their cooperative groups.
  • Evaluate the theme graphic organizer and presentations.

ASSIGNMENTS

Students will complete a theme graphic organizer, double entry journal, and presentation.

HOME CONNECTION

Students discuss and explain the concept of theme with their parents.

EVALUATE THE LESSON

The concept of theme is universal, are the students able to apply the concept to their everyday lives?

 
 

Pasted from <http://www2.scholastic.com/browse/lessonplan.jsp?id=1092>

 
 

Other teaching ideas


TEACHERS GUIDE





ABOUT THIS BOOK



During the Great Depression, a 10-year-old homeless boy sets out in search of a man he believes to be his father.



Bud Caldwell's mother died when he was six years old, leaving him with nothing but a cardboard suitcase filled with memories and a possible hint of who his father may be. Now, ten years old and on the run, Bud lives among the homeless in Flint, Michigan, until he decides to walk to Grand Rapids in search of his father. Helped by a few kind people along the way, Bud eventually locates Herman E. Calloway, a famous musician who denies Bud's claim that he is his father. Finally, the contents of Bud's suitcase provide the clues necessary to prove that Calloway is indeed related to Bud, but not in the way that Bud expects.



ABOUT THIS AUTHOR



Born in Flint, Michigan, Christopher Paul Curtis spent his first 13 years after high school on the assembly line of Flint's historic Fisher Body Plant #1. His job entailed hanging doors, and it left him with an aversion to getting into and out of large automobiles-particularly big Buicks.

Curtis's writing-and his dedication to it-has been greatly influenced by his family members, particularly his wife, Kaysandra. With grandfathers like Earl "Lefty" Lewis, a Negro Baseball League pitcher, and 1930s bandleader Herman E. Curtis, Sr., of "Herman Curtis and the Dusky Devastators of the Depression," it is easy to see why Christopher Paul Curtis was destined to become an entertainer.



TEACHING IDEAS



In the Classroom



Bud, Not Buddy, set during the Great Depression, offers students the opportunity to think about the hardships that the American people experienced during this time in history. Through the homeless main character, students are asked to explore the themes of family, survival, and hope. They are also challenged to think about how racism further threatened the lives of African Americans during this period. Though the living conditions in the novel seem bleak, the main character never loses his sense of humor and offers young readers a survival story with a happy ending. The novel is an ideal choice for read-aloud or a class novel study. In addition, this guide offers activities for using the novel to connect language arts, social studies, science, art, and music.



Pre-Reading Activity



Ask students to research the causes of the Great Depression. How did it affect families of all socioeconomic levels? Tell them that Bud, the main character in the novel, is homeless and goes to a mission for a hot meal. Find out other types of organizations that helped people during the Great Depression. Then have students find out what organizations in their city or town provide food and shelter for the homeless today.



Thematic Connections



Family and Relationships

Ask the class to discuss Bud's relationship with his mother. What are some of his special memories of her? Why did his mother never tell him about his grandfather? Why do you think Bud's mother left home? Changed her last name? If Bud's mother was so unhappy, why did she keep the flyers about her dad's band?



Why is Bud so convinced that Herman Calloway is his father? Discuss whether Bud is disappointed to learn that Calloway is not his father but his grandfather. What type of relationship do you think Bud will have with his grandfather? How is Calloway's Band like a family? What is Miss Thomas's role in Bud's new family?



Survival

Bud has been without a family since age six. What type of survival skills does Bud learn at the Home? Make a list of "Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself." How does Bud use these rules to survive difficult situations? Have the class discuss whether Bud will continue using these rules now that he has found a family.



Hope

Ask the class to discuss how the flyers in Bud's suitcase give him hope. Bud's mother once told him, "When one door closes, don't worry, because another door opens." (p. 43) How does this statement give Bud the hope he needs to continue his search for his father? Discuss the moments in the story when a door closes for Bud. At what point does the door open? Cite evidence in the novel that Herman Calloway had hope that his daughter might return.



Racism

Engage the class in a discussion about the different types of racism. Bud encounters racism throughout his journey. Ask students to explain Mrs. Amos's statement: "I do not have time to put up with the foolishness of those members of our race who do not want to be uplifted." (p. 15) How does this statement indicate that Mrs. Amos feels superior to Bud and other members of her race? Why does she think that Bud does not want to be uplifted?



Bud meets many homeless people at Hooverville. What evidence is there that racism prevails among them? How does racism affect Herman E. Calloway's band? Eddie tells Bud, "Mr. C. has always got a white fella in the band, for practical reasons." (p. 205) Discuss what the "practical reasons" might be. How does this reflect the times? Would Mr. Calloway's reasons be valid today?



Interdisciplinary Connections



Language Arts

Bud has special memories of his mother's reading to him. He remembers the little lessons that he learned from the fables that she read. Have students select one of "Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself" and write a fable, using the rule as the lesson learned.



Explain to students that a euphemism is a word used to soften the meaning of a word that may suggest something unpleasant. For example, Bud says, "I don't know why grown folks can't say someone is dead, they think it's a lot easier to say gone." (p.178) Ask students to brainstorm other euphemisms for dead.



Ask students to explain the metaphor, "The idea that had started as a teeny-weeny seed in a suitcase was now a mighty maple." (p.146) What is the "seed"? The "mighty maple"? Ask students to find other examples of figurative language in the novel.



Social Studies

John Dillinger, Pretty Boy Floyd, Baby Face Nelson, and J. Edgar Hoover are among the notorious figures mentioned in the book. Send students to the library media center to research these people and to find out when the FBI was formed. What is its primary purpose? Who is the head of the FBI today? What names are currently on the FBI's most wanted list?



Policemen inspect Lefty Lewis's car because they are searching for labor organizers who are sneaking to Grand Rapids from Detroit. Ask students to find out about the history of labor unions and the existence of unions today. Then have the class debate the pros and cons of labor unions.



Science

Lefty Lewis sends Herman Calloway a telegram telling him about Bud. Have students construct an illustrated timeline that shows the development of communication from the invention of the telegraph to today's new technologies. A good choice to introduce students to the earlier time of the pony express is the picture book The Sweetwater Run by Andrew Glass.



Art

It is obvious at the end of the novel that Bud is being groomed as a band member. Design a flyer for Bud's opening night with Calloway's Band. Encourage students to give the band a new name in honor of Bud.



Music

Entertainment played a major role during the Great Depression. One of Bud's flyers describes Calloway's Band as "Masters of the New Jazz." Ask students to find out who the major jazz artists were during the Great Depression. Why was jazz so important during this time period? Note that the author's grandfather was also a big band leader.





Teaching ideas prepared by Pat Scales, director of library services, the South Carolina Governor's School for Arts and Humanities, Greenville, South Carolina.



VOCABULARY



Vocabulary/Use of Language



Ask students to find unfamiliar words and try to define them from the context of the story. Such words may include: urchins (p.12), ingratitude (p.14), vermin (p.15), matrimonial (p. 56), devoured (p. 91), ventriloquists (p.101), sully (p.141), embouchure (p.194), and prodigy (p.196).



AWARDS



Winner of the 2000 John Newbery Medal



Winner of the 2000 Coretta Scott King Award



REVIEWS



"Curtis has given a fresh, new look to a traditional orphan-finds-a-home story that would be a crackerjack read-aloud."

--Starred, School Library Journal



"Bud's journey...will keep readers engrossed from first page to last." --Starred, Publishers Weekly



"[T]he rich blend of tall tale, slapstick, sorrow, and sweetness has the wry, teasing warmth of family folklore." --Booklist



FURTHER READING



The Face on the Milk Carton by Caroline B. Cooney[0-440-22065-3]

Gib Rides Home by Zilpha K. Snyder[0-440-41257-9]

A Letter to Mrs. Roosevelt by C. Coco De Young[0-440-41529-2]

Monkey Island by Paula Fox[0-440-40770-2]



ADDITIONAL RESOURCES











Possible questions

Bud, Not Buddy by Christopher Paul Curtis

Summary

A 10 year-old orphan with nothing but an old suitcase a blanket and some flyers to his name, Bud, not Buddy Caldwell is determined to find his long lost father, no matter where it might lead him. Bud has been moving from home to home all his life due to the sudden death of his mother, and he is determined to find his real home, a place where he knows he belongs. Bud's mother left him with flyers of a talented Jazz band, leaving Bud with the impression that his dad, who is featured on the front, is still performing and will be in Grand Rapids next for a show. With hopes to reconcile with his father, some flyers that his mother left him for guidance, and his precious suitcase Bud embarks on an unforgettable journey that will lead him where he never imagined.

Discussion questions

  1. What makes Bud so self-conscious and protective of his name? What is special about his name?
  2. What was your impression of the Amos family, through Bud's description? What impression did they have on Bud?
  3. Describe the relationship between Bugs and Bud. Why do you think Bugs was so important to Bud? What made the two alike, and why?
  4. Talk about the significance of Bud's experiences at Hooverville. What did Bud remember most about that stop, and why? What do you think the Hooverville community resembled to Bud?
  5. How do you think Bud felt when he missed the train? What were his feelings toward the situation regarding Bugs?
  6. Describe Bud and Deza Malone's relationship, and its significance. What did he remember most about her, and their romantic night?
  7. Read "Shenandoah", the song the mouth organ man was playing. What does this song signify? Do you think Bud will ever see her again?
  8. How does Bud feel towards "Herman E. Calloway" in his first encounter with him? How does he feel towards him after the alarming news? Do his feeelings change?
  9. Who is Bud's favorite band member, and why do you think that is?
  10. Bud seems to really like Miss Thomas, as he refers to her as "the most beautiful woman in the world". Who do you think Miss Thomas resembles?

    If you liked this book try

  • Dave at Night by Gail Carson Levine
  • Lena by Jacquline Woodson
  • Searching for Candlestick Park by Peg Kehret
  • The Watsons Go to Birmingham - 1963 by Christopher Paul Curtis
  • A Year Down Yonder by Richard Peck

    Activities

    Discuss another band name for Bud. Explain your reasoning. Draw a picture of the Dusky Devastators of The Depression, including Bud.

    Created in part with funds granted by the Oregon State Library under the Library Services and Technology Act, administered by the Oregon State Library. Send feedback to Katie O'Dell, School-age Services Manager

     
     

    Pasted from <http://www.multcolib.org/talk/guides-bud.html>

     
     

Layered Approach Assignment Suggestions


    Bud, Not Buddy by Christopher Paul Curtis

    by Debbie Anne B. Barretto
    D.U.E. Season Charter School Grade 5

    Let us embark on a literary journey with Bud in Bud, Not Buddy. On our journey, we will be doing a lot of exciting things that will help you earn points. Our goal is to get a score of 100 points. I know you can do it!

    Remember the following things:

    * You have to get 40 points in Layer C to get to Layer B
    * You have to get 30 points in Layer B to get to Layer A
    * You have to get 30 points in Layer A
    * Fill in the Score Sheet

    Enjoy your journey with Bud!

    Layer A: You have to earn 40 points in this layer

    Required:
    ________ 1. Read the book, and make a Reading Log (5 pts.)
    ________ 2. Book discussion with teacher. Answer questions about the story. (15 pts.)

    Your Choice:
    ________ 3. List Bud Caldwell’s Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself (10 pts.)
    ________ 4. Make a time line of Bud’s Life (10 pts.)
    ________ 5. Select 20 vocabulary words. Define each word, and use it in a sentence (10 pts.)
    ________ 6. Make a booklet. Write a summary for every 3 chapters, and make a drawing to represent the chapters. You will have 7 summaries in all, 6 for the first 18 chapters, and a separate one for Chapter 19. (20 pts.)
    ________ 7. Write a report about the author, Christopher Paul Curtis. (10 pts.)

    Layer B: You have to earn 30 points in this layer

    Required:
    ________ 1. Make a Venn Diagram to compare and contrast yourself and Bud. Include surroundings, family, personality, beliefs, characteristics and experiences (10 pts.)

    Your Choice:
    ________ 2. Write your own Rules of Survival. Compare it to Bud’s (10 pts.)
    ________ 3. Write a letter to Bud (10 pts.)
    ________ 4. Make a cardboard village of Hooverville (10 pts.)
    ________ 5. Write a diary from Bud’s point of view. Include dates and locations. (10 pts.)
    ________ 6. Role play your favorite scene in the story. Dress-up, and use correct accent. (10 pts.)
    ________ 7. Play a musical instrument. Play jazz music. (10 pts.)
    ________ 8. Make a poster advertising Bud. Why would it be great to adopt him? What are his strong points? (10 pts.)
    ________ 9. Make a poster for Bud’s Opening Night. Make sure there is a title, pictures and date. (10 pts.)
    ________ 10. Write a song or poem about Bud’s Life (10 pts.)
    ________ 11. Make a comic strip of an event in the story (10 pts.)

    Layer A: You have to earn 30 points in this layer

    Required:
    ________ 1. Compare and Contrast 1930s to Today. Include entertainment, family life, transportation, technology/communication, education, clothing and food. (15 pts.)
    Your Choice:
    ________ 2. Make a book review. Be sure to include what the book is about, what you liked about the book, and the message of the author. (15 pts.)
    ________ 3. Write a report about the 1930s and the Depression (15 pts.)
    ________ 4. Write about how it will be like to live in a “Home”. Include feelings of being an orphan, hardships, and ways to cope. (15 pts.)
    ________ 5. Add a new character in the story. How would Bud interact with this character? Would he like the character? Write in detail an incident including Bud and the new character. (15 pts.)
    ________ 6. Interview with Bud. Write 10 questions that you would like to ask Bud, and write Bud’s possible responses. (15 pts.)
    ________ 7. Write about the Pros and Cons of Having a Union. You could work with a partner, and have a debate. You could also write a position paper. (15 pts.)
    ________ 8. Write Historical Fiction Story. It should not be more than a 10-year span, and must include 5 events. (15 pts.)
    ________ 9. Create a game using the story as material (15 pts.)

    Bud, Not Buddy Score Sheet
    Name _____________________________________ Total Score _________________
    Activity
    Date Accomplished
    Score
    Student’s Initial
    Teacher’s Initial














































Teacher notes - what was it really like



  1. Overview: Students will explore fictional characters based on real people, create a fictional character and story based on a real person and event, and incorporate authentic facts and/or photos into the story.
  2. Benchmarks
    • Understands the defining characteristics of literary forms
      • Discuss orgins and purposes of oral history
      • Discuss the use of fact and fiction in historical fiction
    • Understands the basic story elements
      • Describe the personality of a character
      • Distinguish between fictional and nonfictional information about a character
    • Uses information from text to support opinions, predictions, and conclusions
      • Match information in the real-world with an event in the book
    • Write a short story with both fictional and factual information
    • Document an oral history
    • Locate and read literature from web-based sources
      • Use web-based factual information
    • Develop communications using technology
      • Create an audio recording
      • Create a collage using a scanner
  3. Timing: Complete activity after reading the Afterword.
  4. Book Connections: Packard (page 141), Negro League Baseball (page 127, 238-240)
  5. Performance Assessments: Oral History Story Web Page


SA: WHAT WAS IT REALLY LIKE

 
 

Activity 9:

What was it REALLY like?

Lefty Lewis and Herman E. Calloway are just two of the many interesting characters created by Christopher Paul Curtis for Bud, Not Buddy. The Afterword of the book (page 237-243) discusses how Curtis got the ideas for the book. Although many of the characters are fictional, some are based on real people.

What was the Great Depression really like? The author challenges readers to talk to older people about their lives. He says that "by keeping their stories alive you make them, and yourself, immortal." Cool!

Task

Explore fictional characters based on real people. Create a fictional character and story based on a real person and event. Incorporate authentic facts and/or photos into the story.

Process and Resources

  1. Compare the information found in the Afterword with some information found on the Internet. Create a chart showing the characters that are fictional and the characters that are based on real people. Use arrows to link the characters together.
    1. Random House - Christopher Paul Curtis (newest)
    2. Random House - Christopher Paul Curtis
    3. Author follows Newbery Honor with new novel for young readers - CNN
  2. Is there anything else you'd like to know about the author or his characters? Write a short letter, then email it to Christopher Paul Curtis.
  3. Let's write a story that includes a real person from the Great Depression. In order to write a story that contains information about a person, you'll need to do an interview to find out what their life was like in the 1930s.
  4. Start by reading some oral histories that have been collected by other people. An oral history is a collection of stories told by people about their past.
  • Learn to collect your own oral histories. Use the Hard Times site to look for interview questions. You could even join their project and share your interviews. Use the 42eXplore: Oral History links for more ideas.
  • Once you've collected information about a person, you're still not ready to write your story. You may need to collect information about an event, occupation, or place during the 1930s. For example, if Christopher Curtis wanted to write a whole book about Lefty's experience playing Negro League Baseball he might use the following websites. Use the 42eXplore: Depression links for ideas.
  • Bud's mom remembered sitting on a pony for a photograph. Do you remember an experience where your picture was taken? What about your parents, grandparents, or great grantparents? Go through your photo album and discuss the setting of different pictures. You might even use a picture as part of your story. For family member or friend may even have artifacts (real objects) from the time period such as magazine covers, cloth, coins, postcards or ticket stubs. You can create a collage of these using a computer scanner. Simply lay the items on the scanner tray.

    Project Guidelines

    Use the following guidelines for your oral history story:

  • Be prepared for the interview by creating a list of good questions.
  • Use a tape recorder to help record the interview. Take good notes.
  • Use facts from the interview to create a character and write a story.
  • Use the scanner to create a digital collage using photos and real objects. The objects should represent the person and time period of interest. Carefully overlap the objects so they can be seen and are balanced. Consider the brightness and contrast of the picture.
  • Create a web page to share your story with others.

    Conclusion

    Share the web page with the person you interviewed. If possible include scanned or photocopied artifacts and pictures in your story.

     
     

    Pasted from <http://eduscapes.com/reading/bud/activity9.htm>

     
     

Hooverville Pics





Student activity-Story Elements




In Bud, Not Buddy, Bud and Bugs headed out of Flint in search of a town they thought was called Hooperville. Instead, they found a shantytown or cardboard jungle called a Hooverville. What's a Hooverville and why were they found throughout the United States in the Great Depression?

Task

Visualize what life was like in a Hooverville in the 1930s. Formulate a plan for helping people in your own community.

Process and Resources

  1. Reread Chapter 8 of Bud, Not Buddy and think about the setting of the Hooverville. Summarize the most important characteristics of the setting that help you visualize what it might have looked like. Now, explore some photos online. Do the photos match the author's description of life in the Hooverville? Why or why not? Use computer graphics software to combine elements of the photographs to create your own picture.

  1. Money was scarce during the Depression. Go to the Then and Now page. Print out the chart. Compare the prices of things then and now.
  2. Let's learn more about life in a Hooverville during the Depression. What caused these places to spring up around the country? There were many reasons that people were forced out of their homes and into Hoovervilles. What caused the end of Hoovervilles? Use the websites below to find the causes. Discuss your findings with a small group.

  1. Homelessness didn't end with the Great Depression. It's still a problem today. Go to the page, Who Are Homeless? Read about a person in one following homeless categories: mentally ill, substance abuse, domestic abuse, elderly, juveniles, veterans, rural, or family. What could your town do to help a person in this situation? Use the links below for ideas. Discuss your findings with a small group.

Project Guidelines

Use the following guidelines for creating your setting image:

  • Summarize the most important features of the Hooverville.
  • Match the summary information to the photos provided.
  • Create your own image using the photos and imaging software or a digital camera.
  • Consider the brightness, contrast, and clarity of the picture.

Use the following guidelines for creating your discussion on causes of Hooverville's and today's homelessness:

  • Create charts and lists to help show your ideas such as a reasons list, cause/effect chart, timeline, or idea list.
  • Listen carefully and be ready to add to ideas or provide an example.

Conclusion

Learn about homelessness in your own community. Volunteer at a soup kitchen or help someone in need.